Bach Bibliography Search Result - Ordered Chronologically

Author : L., D.

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	L., D.:   Frankfurt a. M. (Mai). DMz 2/27 (8 Jul 1861), 214-225
	2.	Powell, Donald C. (arr.):   CHORALE: O GOD, THOU HOLY GOD from the 24th CANTATA / J. S. BACH (1927), 3p
	3.	Powell, Donald C. (arr.):   CHORALE: THUS WE CELEBRATE THE HIGH FESTIVAL from the 4th CANTATA / J. S. BACH (1928), 4p
	4.	Powell, Donald C. (arr.):   So Feiern Wir das Hohe Fest = Thus we celebrate the high festival / J.S. Bach (1928), 4p
	5.	Powell, Donald C. (arr.):   Siciliano: for violin & piano / J. S. Bach (1928), 5p + St
	6.	Powell, Donald C. (arr.):   CHORAL PRELUDE: REJOICE YE REDEEMED HOSTS: from the Cantata 'Am feste Johannis des Taüfers' / J. S. BACH (1928), 7p
	7.	Powell, Donald C. (arr.):   Allegretto in modo pastorale: for violin and piano / J. S. Bach (1929), 4p + St
	8.	Somervell, D. C.:   The Bach Passions and Greek Tragedy. MLetters 27/4 (Oct 1946), 221-224
	9.	Mitchell, Donald:   [Freemasons' Hall. Britten, Les Illuminations; Peter Pears (tenor). Bach, Brandenburg Concerto no. 5; John Francis (flutist), Dr. Lofthouse (harpsichordist). Bartók, Divertimento; Jacques Orchestra] MSurvey 1/1 (Autumn 1947), 1-2
	10.	Hall, David:   The Record book: A guide to the world of the phonograph. International Edition. (1948), xii, 1394p
	11.	Mitchell, Donald:   Exploratory Concert Society, Conway Hall, 15th October, 1948. MSurvey 1/5 (1949), 171
	12.	Pownall, Denis:   J. S. Bach. Neglected Keyboard Music. MOpinion 73/870 (Mar 1950), 327, 329
	13.	Pownall, Denis:   Bach Transcriptions. MOpinion 73/876 (Sep 1950), 717, 719
	14.	Mitchell, Donald:   London Philharmonic Orchestra; Boult. Albert Hall, 2nd and 23rd November, 1950. MSurvey 3/3 (Mar 1951), 204
	15.	MacArdle, Donald W.:   Beethoven and the Bach Family. MLetters 38/4 (Oct 1957), 353-358
	16.	La Salle, de:   La Passacaille en ut mineur de J. S. Bach. LEducM 15/69 (Jun 1960), 18-20
	17.	Nichols, D.:   Carmel Festival. MCourier 164 (Oct 1962), 34
	18.	Gill, Dominic:   English Bach Festival: Bach, Couperin. MTimes 109/1506 (Aug 1968), 747
	19.	Holl, Dieter:   Bachfest Leipzig 1970. MKirche 41/1 (1971), 29-30
	20.	Holl, Dieter:   46. Bachfest der Neuen Bachgesellschaft [in Bremen] MKirche 41/4 (1971), 200-201
	21.	Holl, Dieter:   47. Bachfest der Neuen Bachgesellschaft. MKirche 42/5 (1972), 237-238
	22.	Hall, Donald:   The Objective Measurement of Goodness-of-Fit for Tunings and Temperaments. JMTheory 17/2 (Autumn 1973), 274-290
	23.	Hall, Donald E.:   Quantitative Evaluation of Musical Scale Tunings. AmerJPhysics 42 (1974), 543-552
	24.	Arnold, Denis:   The Baroque in Germany: performing early music on record -- 3. EarlyM 4/2 (Apr 1976), 183-185
	25.	Hansell, D. J. K.:   Changing structures in German organ music from 1600 to the death of J. S. Bach. diss. (1980)
	26.	Arnold, Denis:   The solo motet in Venice (1625-1775). ProceedRMA 106 (1980), 56-68
	27.	Arnold, Denis:   Bach. (1984), 103p
	28.	Swale, David:   Bach's Fugue after Legrenzi. MTimes 126/1713 (Nov 1985), 687, 689
	29.	Hoffmann-Axthelm, Dagmar:   Die innere Kathedrale: Zur Metamorphose musikalischen Raumes am Beispiel von Kirche und Kammer. (1986), 17-25
	30.	Scholz, Dieter David:   Kulturstadt-Gehabe. Die Berliner Bach-Tage 1988. NZsfM(2) 149/10 (Oct 1988), 43-44
	31.	Hoffmann-Axthelm, Dagmar:   Bach und die Perfidia Iudaica: Zur Symmetrie der Juden-Turbae in der Johannes-Passion. BaslerJbHistMpraxis 13 (1989), 31-54
	32.	Arnold, Denis:   J. S. Bach. KleineVandenhoeckR 1539 (1989), 104p
	33.	Reinhold, Daniela:   Möglichkeiten und Grenzen. Ein Diskussionsprotokoll. MGesellschaft 39/ 2 (Feb 1989), 58-64
	34.	Reinhold, Daniela:   Musikfilm - ein Genre auf der Suche. Zur Arbeit des Regisseurs Frank Schleinstein. MGesellschaft 39/ 2 (Feb 1989), 65-68
	35.	Kaiser, Rainer; Kolb, Dieter M.:   Near-Infrared Reflectance Spectroscopy and Authenticity of Performance Indications in Bach's Music Manuscripts. InterdisciplSciReview 15/2 (1990), 133-138
	36.	Faravelli, Danilo:   La Messa in Si minore (BWV 232) di Johann Sebastian Bach - Descrizione critica. RivistaIMSacra 11/4 (1990), 375-429
	37.	Neville, Don J.; Stonehouse, Alison; Richards, William (eds.):   Mozart in history, theory, and practice: Selected papers from the international symposium. StudM(WesternOntario) 14 (1993), 212p
	38.	Arnold, Denis:   Bach. (1994), 174p
	39.	Mitchell, David L.:   Reconsidering the Primary Sources for J. S. Bach's Trio Sonatas. AmerOrganist(2) 28/10 (Oct 1994), 58-60
	40.	Hill, David S.:   The Persistence of Memory: Mode, Trope, and Difference in the Passion Chorale. diss. (1994), 302p
	41.	Hoffmann-Axthelm, Dagmar:   Bach und die Perfidia Iudaica. Zur Symmetrie der Juden-Chöre in der Johannes-Passion. NZürcherZ Fern 75 (31 Mar 1994), 47
	42.	Poile, David:   Rhythmic Conflicts in the Keyboard Music of J.S. Bach: A Problem of Binary Against Ternary Rhythms. diss. (1995), 236p
	43.	Hill, David:   The Time of the Sign: 'O Haupt voll Blut und Wunden' in Bach's St. Matthew Passion. JMcol 14/4 (Autumn 1996), 514-543
	44.	Hill, David:   Think of Damnation: J. S. Bach's Cantata 161 and Luther's Sermon on Preparing to Die. JMcolResearch 16/1 (1996), 17-39
	45.	Sills, David L.:   Articulation in J.S. Bach's unaccompanied cello suites. AmerStringTeacher 48/1 (Winter 1998), 51-56
	46.	Campbell, D. Murray:   Intonation et résonances acoustiques des cornets à bouquin et des serpents. (1999), 125-137
	47.	Breitenfeld, Darko; Thaller, V.; Golik-Gruber, V.; Breitenfeld, Tomislav:   Pathographies of Famous Musicians - Johann Christian Bach (1735-1782). Alcoholism 36/1 (2000), 93-94
	48.	Tilmouth, Michael; Kimbell, David; Savage, Roger (eds.):   The classics of music: talks, essays, and other writings previously uncollected Donald Francis Tovey. [ce]Tovey (2001), li, 821p
	49.	Sölle, Dorothee:   Weihnachtsoratorium. [ce]BegegnungenMitBach (2002), 7
	50.	Hoffmann-Axthelm, Dagmar:   'Es mag sein, dass nicht alle Musiker an Gott glauben; an Bach jedoch alle': Über einige Zusammenhänge zwischen Musik und Andacht. [cr]Luzern2001 (2002), 191-206
	51.	Pals, Daniel:   Prelude to the Passions: Bach and the Theological Heritage of the Reformation. [p]BachsPassions_Miami (Feb-Mar 2003)
	52.	Felsenfeld, Daniel:   Illuminating manuscripts. Strings 17/8:110 (May-Jun 2003), 60-67
	53.	Vogels, David:   Musings: Bach at Home. AmerOrganist(2) 38/ 8 (Aug 2004), 40-41
	54.	Breitenfeld, Tomislav; Vargek Solter, Vesna; Breitenfeld, Darko; Zavoreo, Iris; Demarin, Vida:   Johann Sebastian Bach's Strokes. Case Report. ActaClinCroat 45/1 (Mar 2006), 41-44
	55.	Jewell, David:   What Bach's music means to me. BritishJGeneralPractice 56/523 (Feb 2006), 151
	56.	Di Pasquale, Donato:   Genesi dei Quattordici Canoni BWV 1087 di Johann Sebastian Bach. diss. (2006), 94p
	57.	Curry, Robert; Gable, David; Marshall, Robert L. (eds.):   Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. EastmanStudM 58 (2008), x, 375p
	58.	Sarlo, Dario:   Investigating Performer Uniqueness: The Case of Jascha Heifetz. diss. (2010), 430p
	59.	Kristoviæ, Darko; Breitenfeld, Darko; Kraljiæ, Josipa;:   Sudbine njemaèrguljaša skladatelja. SvetaCecilija 80/1-2 (2010), 25-28	Latin 2
	60.	Prindle, Daniel E.:   The Form of the Preludes to Bach's Unaccompanied Cello Suites. (2011), xii, 107p
	61.	Wells, Dominic:   In the footsteps of Bach's St. Matthew Passion: The Passion setting of David Lang and James MacMillan. Tempo 67/264 (Apr 2013), 40-51
	62.	Sarlo, Dario:   The performance style of Jascha Heifetz. (2015), xiv, 270p